Artist

The Universal Language of Music: Bernstein to Cooper

Published January 3, 2024

There's a tale about the legendary conductor Leonard Bernstein that goes something like this. About four decades ago, he masterfully conducted a Mozart piece at the Grammy Awards. Following his performance, Bernstein returned to his seat, just as the rock band Aerosmith took the stage in their quintessential '80s style. Seated beside him, a young man, presumably intrigued by the juxtaposition, watched Bernstein for a reaction to 'Dude Looks Like a Lady.' Reading the young man's thoughts, Bernstein casually remarked, 'In the end, it's all just music.'

Whether this encounter occurred or not, the sentiment perfectly encapsulates Bernstein's inclusive view on music. He held a deep, perhaps near-mystical, comprehension of classical scores but approached music with a showbiz flair, each concert a sensory experience. Bernstein remained approachable, committing to educating children on music through television, while also celebrating the appeal of more modern genres like jazz and rock, and even the Beatles, during a period when such preferences were not typically voiced by classical musicians.

Bernstein's legacy, however, is interwoven with personal complexity, as explored in Bradley Cooper's 'Maestro,' a film that delves into the nuanced dynamics of the Bernstein family. Felicia Montealegre, Bernstein's wife, experiences the dual challenges of managing a relationship with a globetrotting maestro and pursuing her own artistic aspirations. 'Maestro' paints a vivid picture of Bernstein's life and career without skimping on details, even showcasing his role as an educator—though it curiously omits depiction of his influential televised music specials.

Bradley Cooper's portrayal of the maestro captures the essence of Bernstein's artistic spirit and his unique presence on stage. The film includes stunning performances that transcend the traditional biopic format, featuring a mix of cinema and stage, dramatic narrative, and immersive musical sequences. Cooper's performance alongside Carey Mulligan as Felicia brings an authenticity to the couple's journey through both their artistic life and personal strife.

As 'Maestro' comes to a close, it presents an old Bernstein reflecting on his purpose and the joys of his life, including the profound impact of his wife. It's a film that aims to resonate with Bernstein's philosophy that regardless of form or style, music connects us all on a fundamental level, a belief that seems to ring true to this day.

music, legacy, connection