Release

Bleachers' Fourth Album: A Self-Titled Evolution in Jack Antonoff's Music

Published March 5, 2024

Bleachers, the indie pop powerhouse helmed by Jack Antonoff, takes a transformative step with their fourth and latest self-titled album. Traditionally, self-titled records signal the beginning of a musical act's journey, but in this case, it marks a significant evolution.

A Rebirth for Bleachers

Jack Antonoff, known for his diverse talent as a multi-instrumentalist and Grammy-awarded producer, shifts gears in this collection of 14 tracks. The new album paints a picture of a different musical direction—one that shows a more mature, intricate blend of sounds and emotional depth, transitioning from their previous edgy vibes to a more intimate setting.

Departing from The Boss's Shadow

While past albums have carried the unmistakable influence of Bruce Springsteen, the new album stands more independently, though horns and certain instrumental aspects reminiscent of the E Street Band occasionally surface. The tracks vary in style, with some reminiscent of '80s pop anthems, while others meld influences from bands like The National and The Killers, offering a rich tapestry of sound.

Standout Collaborations and Tracks

Notable collaborations dot the album landscape, with heavyweights like Lana Del Rey, Florence Welch, Matt Healy, and Aaron Dessner contributing their unique touches, yet their influence emerges in surprising ways, not necessarily in the expected tracks. The album's highlight, 'Hey Joe,' is a powerful intergenerational dialogue wrapped up in melody and thoughtful lyrics.

Personal Growth and Domestic Bliss

Antonoff's personal life seems to have permeated his artistry; his recent marriage brings a fresh perspective echoed throughout the album, particularly in songs reflecting on his pre-marital self. This sense of newfound peace and happiness in his domestic life resonates across the tracks, adding depth to the lyrical content.

An Album of Two Halves

The album's journey takes a detour in its final act, with the concluding tracks veering into experimental territory that may divide listener opinion with its ambitious, albeit meandering, nature. Nevertheless, the album as a whole signifies Antonoff's growth, demonstrating his ability to move beyond The Boss's influence and carve out an expressive identity of his own.

Bleachers, JackAntonoff, AlbumReview