The Tubes Rock On with Nostalgic Yet Uneven Performance in Menlo Park

Fans of classic rock were in for a treat as The Tubes, the revered Bay Area band known for their '70s hits and '80s mainstream success, hit the stage for their first 2024 gig at the packed Guild Theatre in Menlo Park. While the band's outrageous spirit and iconic tracks like 'White Punks on Dope' were highlights, the gig had its share of hiccups, with a notably unsteady performance from lead vocalist Fee Waybill. Despite this, The Tubes provided a dynamic offering, traversing through nearly two dozen tracks in a concert that spanned over two hours.

An Eventful Start

The show kicked off with a memorable entrance as Fee Waybill took a tumble to the stage floor, quickly recovering with light-hearted self-commentary. Though it may have shaken the frontman, the rest of The Tubes showcased professionalism, with founding members Roger Steen on the guitar and Prairie Prince handling the drum set impressively, accompanied by Atom Ellis on bass and Dave Medd on keyboards.

A Trip Down Memory Lane

The Tubes' playlist was a journey through their musical evolution, with early gems like 'What Do You Want from Life?' livening up the atmosphere. Eye-catching wardrobe choices added to the experience, with Steen dressed in a black tuxedo and Ellis in a friar robe complementing the concert's eclectic vibe. Classic rock enthusiasts were treated to Steen's splendid guitar solos, most notably on Sinatra's 'This Town,' while tracks like the towering 'Telecide' reminded fans of the band's '70s roots.

A Mixed Second Act

Despite a strong opening, Waybill's energy seemed diminished in the concert's latter half. The Tubes revisited '80s selections, including 'Sushi Girl' and 'Attack of the Fifty Foot Woman,' with mixed reception. Guitarist Roger Steen took the reins with his own 'I Hope Someday' and a cover of Velvet Underground's 'I'm Waiting for the Man,' filling in as the band awaited Waybill's return onstage.

A Climactic Finale

Waybill reemerged for the crowd-pleaser 'White Punks on Dope,' albeit without his usual grandiose 'Quay Lewd' character, marking a strategic move considering earlier missteps. The night concluded on an uplifting note, with The Tubes delivering a joyful encore highlighted by their most recognizable hit, 'She’s a Beauty.' All in all, the evening was a testament to The Tubes' enduring appeal, balancing nostalgia with raw, live performance.

concert, nostalgia, performance