Exploring '80s Hits and Metal Classics That Defied Traditional Song Structures

Pop and rock songs have typically embraced a formulaic verse-chorus structure for decades. Despite this norm, the '80s produced some trailblazing hits that dared to deviate from this path, setting a new precedent in songcraft. Alongside these, certain metal epics also challenged the standards with their inventive compositions. Let's delve into how six of these tracks pushed creative boundaries with their unconventional approaches.

The Stranglers "Golden Brown" (1981)

Emerging from the punk scene of the '70s, The Stranglers achieved their greatest hit with "Golden Brown." This song inverted the typical song order by leading with its chorus. Additionally, it utilized irregular time signatures, combining 12/8 and 13/8, and featured a harpsichord—an unusual choice for rock music—giving it a timeless quality that would resonate across centuries.

Madonna "Borderline" (1983)

Madonna's "Borderline" became an '80s dance sensation, yet it broke pop norms by juxtaposing upbeat verses with a somber chorus, effectively reflecting the song's theme of romantic frustration. This Top 10 hit showcased a successful departure from the expected big, vibrant chorus of pop songs.

Mercyful Fate "Satan’s Fall" (1983)

Mercyful Fate's "Satan's Fall" is a prime example of metal's ability to embrace complex structures. The over 11-minute track consists of 12 unique sections, with classical music influences, where only the intro returns as an outro. The Copenhagen-based group's elaborate songwriting demonstrated their progressive metal roots and willingness to cast aside conventional song formulas.

Prince "When Doves Cry" (1984)

Prince's "When Doves Cry" was a radical departure from the funk genre's reliance on bass, as it featured none. This hit, from the iconic 'Purple Rain,' was driven by keyboards and vocal harmonies, proving that a number one hit could succeed without adhering to genre expectations.

Journey "Be Good To Yourself" (1986)

Journey's anthem "Be Good To Yourself" from the album 'Raised on Radio,' though maintaining a rock vibe, surprised fans with its structure. The track had a distinct format that included two choruses followed by an extended guitar solo, demonstrating a departure from pop songwriting norms.

Crimson Glory "Transcendence" (1988)

The metal band Crimson Glory's track "Transcendence" shocked listeners with its shift from explosive metal to a dreamlike state dominated by acoustic and ambient sounds, diverging from the high-energy electric assault many may have anticipated.

innovation, hits, metal