The Kills Bring Their Cool to The Catalyst Stage Once Again

The Kills, a minimalist indie rock duo, are the epitome of cool. Comprising Alison Mosshart and Jamie Hince, they are as much at home in the world of rock and roll as they are in more aesthetic and poetic environments. Known for their bohemian fashion sense and laid-back demeanor, Mosshart was even noted for her nonchalant smoking during a thirty-minute interview.

The Catalyst will play host to The Kills on the upcoming Saturday, February 3, marking their first appearance at the venue in seven years. The event is part of their God Games tour, promising fans an electrifying night.

With a career spanning over two decades, The Kills have released six albums, charted 21 singles across different countries, and toured the globe, both headlining and supporting acts like Guns 'n Roses, Jack White, and the Foo Fighters. Surprisingly, the duo prefers simple tools for their music creation, such as a modestly priced MIDI keyboard, on which Mosshart has composed many songs for their latest offering, God Games.

Mosshart described their latest album as a balanced effort, with half of the songs written by her and the other half by Hince. Notably, it was Mosshart's first experience composing on a keyboard, but she expressed enthusiasm about continuing to explore the instrument.

The Kills' evolution is evident in their new work, which brings bolder and more complex sounds. The album includes intricate drum patterns and layered rhythms, showcasing their improved understanding of frequencies. Songs like "New York" with its bold brass sections and "Better Days" featuring a Spanish influence, highlight the variety and depth in their music.

Renowned producer Paul Epworth, known for his work with celebrities like Adele and Rihanna, also contributed to the achievement of the desired sound in God Games. Epworth, who first toured with The Kills in 2002, helped create a powerful sonic experience that is felt as much as it is heard.

The album title, God Games, resonates with Hince's description of the songs as "atheist gospels," fitting the paradoxical nature of the band. They pair effortless cool with approachable personalities, and despite their fame, they remain grounded.

Lastly, Mosshart and Hince often speak of their unique partnership as soulmates, a bond that goes beyond the typical confines of a creative collaboration. Such a relationship is rare and has become a cornerstone of their artistic freedom and success.

indie, tour, album